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when it really kicks in to kick ass, its really unexpected.
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Here is my recommended track listing for taking the two ads and making one cdġ.) dAdA (really tribal and desert feeling, gets suuuuuuuper fucking heavy. i can honestly say this eat the day double album is one of the best things I've ever heard in my life, and i know that won't change for the rest of my life.
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getting to hear the final souped up versions of those songs, and all the rest, is such a huge deal for me in my life as someone who loves music. I've been waiting like 17 years for eat the day to finally come out : early versions of three songs leaked in high school, and i have listened them with such an enormous amount of ache since then. The level of depth to this music is absolutely wild. wes and scott are almost never playing the same thing, and greg has a really unique voice on the drum kit, not just with his wild playing but also simultaneously running loops off of an MPC and sample pads like danny carey, where he records certain drums through certain effects like delay but the delay is only for certain things, not the whole kit. easily one of the best two guitar albums i've ever heard in my life, by a loooooooooooooong shot.
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for about half of the songs across the two albums, wes is playing that mutant 4 string guitar he plays on nookie, full nelson, stalemate, don't remember, and the one, so when it gets heavy, it gets HHHHHHHHEAVY. the drummer greg is a fucking powerhouse of a drummer, he's got a lot of dave growl in his feet and a lot of stewart copeland in his hands. scott also does most of the bass and is a great finger style player with a really unusual choice of notes. his brother scott does a lot of weird radiohead guitar stuff, most of the solos (which absolutely fucking shred), most of the keyboards (beautiful and terrifying depending on the song). Wes's playing really stretched in all extremes, the heavy stuff is FUCKING MONSTROUS and the soft stuff is so pristine and beautiful.
#Eat you alive ep limp bizkit download free
he FINALLY got the money to free eat the day from limp biz kit's old label, and put out the two part eat the day double album "the demos" and "the addendum" a year ago when the lockdown started. then, jon otto finally went to rehab, got cleaned up, and bizkit has been going strong since 2009. So wes went off to start black light burns. also, if you want eat the day back for yourself, you have to pay us a fuck ton of money to free it." bizkit goes to do unquestionable truth, and imploded/exploded. they booked studio time with richard and bob ezrin, but requested a pause in the sessions for richard to go to rehab, and the label was like "we never wanted you to quit limp bizkit to begin with, go back and make us some money. every time they got a singer, bizkit's label told them "the singer isn't good enough, keep looking". They tried out several singers: an unknown guy named adam yas from san francisco, chris shinn from the 90s band live, gavin rossdale, jonette napolitano (wes pretty much confirmed gavin and jonette in a 2018 interview with dean delray), and finally richard patrick from filter. he teamed up with the people he did the first big dumb face album with (his brother scott, who did keyboards on the first 3 bizkit albums) and the drummer greg isabelle and started eat the day.īOB EZRIN (WHO PRODUCED THE WALL BY PINK FLOYD) signed on to produce, and was talking about it, pretty much, changing rock (as seen here) he was tired of all the bands he looked up to talking shit about bizkit, a girl died at a concert of theirs in australia, he and fred were fighting over stuff all the time. wes quit limp bizkit like a month or so after 9/11 happened. The story of eat the day one is a rarity.